My father was an artist as well as a community organizer, and he was always encouraging of my efforts to learn to draw, and willing to have his naps closely observed by me and my sketchbook.
The steps to a completed painting are records of both process and time, of addition, disappearance, confidence overtaken by questions, and, finally, a need for some kind of a completion (that's is always a bit of a compromise).
I'm beginning the Element paintings with a drawing on a toned panel--having to manage shapes, values and color at the same time would be too far a jump without a parachute.
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My visual journal is inspired by what I see every day: the weather on my hill in northern Vermont, what’s growing in my garden, a curio brought back from travels or an ordinary object from the kitchen shelf made special by careful looking. "Journal" paintings are fast, improvised daily entries, a chance to experiment with new approaches and pay attention to the here-and-now. When I’m traveling, quickly recorded impressions are posted from Paris, Provence, Spain, Maine and anywhere else I’ll find myself this year. My large studio compositions take time, planning, refining of the original inspiration. I'll also be sharing that different kind of creative process with you here on "A Painter's Year".