I'm beginning the Element paintings with a drawing on a toned panel--having to manage shapes, values and color at the same time would be too far a jump without a parachute.
Here's how the four season "Farm" watercolor studies look as one composition. I've started the oil panels, and will post them as I finish each one (and I'm not sure myself, starting over with these images in a new medium, where exactly we're heading).
I'm settled into my studio at the residency in Johnson, and even with rows of blank and half-finished canvases staring at me, it's my idea of fun to be working in an unfamiliar place with different light and space than home.
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My visual journal is inspired by what I see every day: the weather on my hill in northern Vermont, what’s growing in my garden, a curio brought back from travels or an ordinary object from the kitchen shelf made special by careful looking. "Journal" paintings are fast, improvised daily entries, a chance to experiment with new approaches and pay attention to the here-and-now. When I’m traveling, quickly recorded impressions are posted from Paris, Provence, Spain, Maine and anywhere else I’ll find myself this year. My large studio compositions take time, planning, refining of the original inspiration. I'll also be sharing that different kind of creative process with you here on "A Painter's Year".