Stopped while driving backroads somewhere up in Vermont's farthest corner by the dark purple of a barn in shadow.
2 comments:
Anonymous
said...
Susan, your colors are just wonderful! Any tips for those of us new to painting and drawing? I noticed your Giotto journal entry and what looked like a color analysis of the St Francis fresco...have you done many of these?
Thanks for your comment, Georgina. It's hard to summarize my approach to color--I think about color value, complements, analogous colors, and those elements are combined into a color composition. Then there's the emotional or intuitive part of dealing with color. For this painting I used a triad--3 primary colors. The Giotto study was for a class I taught. (If you're interested in taking a workshop with me, please send your email and I'll let you know what I have coming up.)
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My visual journal is inspired by what I see every day: the weather on my hill in northern Vermont, what’s growing in my garden, a curio brought back from travels or an ordinary object from the kitchen shelf made special by careful looking. "Journal" paintings are fast, improvised daily entries, a chance to experiment with new approaches and pay attention to the here-and-now. When I’m traveling, quickly recorded impressions are posted from Paris, Provence, Spain, Maine and anywhere else I’ll find myself this year. My large studio compositions take time, planning, refining of the original inspiration. I'll also be sharing that different kind of creative process with you here on "A Painter's Year".
2 comments:
Susan, your colors are just wonderful! Any tips for those of us new to painting and drawing? I noticed your Giotto journal entry and what looked like a color analysis of the St Francis fresco...have you done many of these?
Georgina
Thanks for your comment, Georgina. It's hard to summarize my approach to color--I think about color value, complements, analogous colors, and those elements are combined into a color composition. Then there's the emotional or intuitive part of dealing with color. For this painting I used a triad--3 primary colors. The Giotto study was for a class I taught. (If you're interested in taking a workshop with me, please send your email and I'll let you know what I have coming up.)
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