Yes, I see the flow of the fabric very clearly, its wonderful! I like how you render the whites in your paintings. And I love your creative compositions with some of the objects partially hidden, and the rest is left to my imagination. Very exciting paintings!
Thank you for writing, Susan, Altoon and Katherine! I've been painting plein air landscapes all week with my workshop, and I'm looking at very similar "color of white" in clouds as I was in the cloth...
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My visual journal is inspired by what I see every day: the weather on my hill in northern Vermont, what’s growing in my garden, a curio brought back from travels or an ordinary object from the kitchen shelf made special by careful looking. "Journal" paintings are fast, improvised daily entries, a chance to experiment with new approaches and pay attention to the here-and-now. When I’m traveling, quickly recorded impressions are posted from Paris, Provence, Spain, Maine and anywhere else I’ll find myself this year. My large studio compositions take time, planning, refining of the original inspiration. I'll also be sharing that different kind of creative process with you here on "A Painter's Year".
4 comments:
I love the composition! Just enough of each item. Bravo!
The colors you've captured in the white cloth are beautiful and alive.
Yes, I see the flow of the fabric very clearly, its wonderful! I like how you render the whites in your paintings. And I love your creative compositions with some of the objects partially hidden, and the rest is left to my imagination. Very exciting paintings!
Thank you for writing, Susan, Altoon and Katherine! I've been painting plein air landscapes all week with my workshop, and I'm looking at very similar "color of white" in clouds as I was in the cloth...
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