I'm glad you like this, Altoon. I think they work best as a triptych--the grid of nine seemed like it had too much complexity--you couldn't focus on any one painting, and they weren't simple enough individually to work together as an all-over design.
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My visual journal is inspired by what I see every day: the weather on my hill in northern Vermont, what’s growing in my garden, a curio brought back from travels or an ordinary object from the kitchen shelf made special by careful looking. "Journal" paintings are fast, improvised daily entries, a chance to experiment with new approaches and pay attention to the here-and-now. When I’m traveling, quickly recorded impressions are posted from Paris, Provence, Spain, Maine and anywhere else I’ll find myself this year. My large studio compositions take time, planning, refining of the original inspiration. I'll also be sharing that different kind of creative process with you here on "A Painter's Year".
5 comments:
This looks wonderful, Susan. I love the repetition of peaked roofs.
I'm glad you like this, Altoon. I think they work best as a triptych--the grid of nine seemed like it had too much complexity--you couldn't focus on any one painting, and they weren't simple enough individually to work together as an all-over design.
HI Susan, cool painting!
Crazy about the colors.WOW!
Thank you for sharing
those amazing work
good creations
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