The barnyards of hard-working farmers can be messy, piled high with half-finished projects, broken equipment, and the occasional stray animal (also an apt description of the studios of many hard-working artists.)
I always enjoy your posts. your colors in this one are absolutely awesome, especially how you used complementary colors. Did you arrange the elements in the barnyard, or did you "opportunely" find a barnyard with all the items this way - just wondering. Barb
It amazes me how you use such strong colors and so many colors but your color harmony doesn't suffer nor does it seem saccharine. No small feat! This is beautiful!
Your use of colour is magical - and I just noticed below this reply window the image posted before - the hills are fabulous!!! Would love to learn your colour techniques. They are so fresh!
Thanks you, all. Barb, I piece these compositions together from a variety of sources, including my photos and sketches. My color in oil is very influenced by all of the years I worked with transparent watercolor, and learned to not overmix, to use pure colors as much as I could, and be decisive with color compositions.
"A Painter's Year" has moved to a new and improved site. Please come with us by clicking here! And you can see new painting galleries, travel sketchbooks and more at my new website home. Subscribe to new posts below. Thank you!
To see new paintings and be informed of special sales, exhibits, events, and workshops, please click "Join my mailing list".
My visual journal is inspired by what I see every day: the weather on my hill in northern Vermont, what’s growing in my garden, a curio brought back from travels or an ordinary object from the kitchen shelf made special by careful looking. "Journal" paintings are fast, improvised daily entries, a chance to experiment with new approaches and pay attention to the here-and-now. When I’m traveling, quickly recorded impressions are posted from Paris, Provence, Spain, Maine and anywhere else I’ll find myself this year. My large studio compositions take time, planning, refining of the original inspiration. I'll also be sharing that different kind of creative process with you here on "A Painter's Year".
5 comments:
The nice touches of that violet-pink really add a lot of visual interest to this painting.
I always enjoy your posts. your colors in this one are absolutely awesome, especially how you used complementary colors. Did you arrange the elements in the barnyard, or did you "opportunely" find a barnyard with all the items this way - just wondering.
Barb
It amazes me how you use such strong colors and so many colors but your color harmony doesn't suffer nor does it seem saccharine. No small feat! This is beautiful!
Your use of colour is magical - and I just noticed below this reply window the image posted before - the hills are fabulous!!!
Would love to learn your colour techniques. They are so fresh!
Thanks you, all. Barb, I piece these compositions together from a variety of sources, including my photos and sketches. My color in oil is very influenced by all of the years I worked with transparent watercolor, and learned to not overmix, to use pure colors as much as I could, and be decisive with color compositions.
Post a Comment