All fruit is beautiful, but mangoes have special color, the outside a blending of violet red to chartreuse, inside a clean butter yellow, with a little bit of marigold mixed in.
Here are two paintings from previous postings that I realized today make an interesting diptych. I like the way the images relate in color and shape, but are also fractured.
A few years ago James and I had dinner in Paris at a Vietnamese restaurant. The owner offered us his best dessert, flown in from Vietnam at their peak of ripeness and for that one week the most delicious mangoes in the world.
The farmer's market in Montpelier, Vermont would require a very different palette (heavy on the neutrals and greens) than the wide spectrum of colors needed to paint a fabric stall in Montpelier, France--a display that would look garish rather than vivid in our northern light.
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My visual journal is inspired by what I see every day: the weather on my hill in northern Vermont, what’s growing in my garden, a curio brought back from travels or an ordinary object from the kitchen shelf made special by careful looking. "Journal" paintings are fast, improvised daily entries, a chance to experiment with new approaches and pay attention to the here-and-now. When I’m traveling, quickly recorded impressions are posted from Paris, Provence, Spain, Maine and anywhere else I’ll find myself this year. My large studio compositions take time, planning, refining of the original inspiration. I'll also be sharing that different kind of creative process with you here on "A Painter's Year".