Another view towards the mountains behind Les Bassac, a scene I could paint over and over through changing times of day, weather, and seasons (if I could spend a year looking out over this valley) and never be bored.
When I began this watercolor in the village park in Viens, a sheet was hanging up to dry on the railing, and I liked its relationship to the white clouds, and to the curves of the vines and rectilinear trellis and building. Then out came a young lady, and down came the sheet. I decided today, finishing the painting a month later in my Vermont studio, that the empty space in the right bottom corner needed that white sheet after all.
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My visual journal is inspired by what I see every day: the weather on my hill in northern Vermont, what’s growing in my garden, a curio brought back from travels or an ordinary object from the kitchen shelf made special by careful looking. "Journal" paintings are fast, improvised daily entries, a chance to experiment with new approaches and pay attention to the here-and-now. When I’m traveling, quickly recorded impressions are posted from Paris, Provence, Spain, Maine and anywhere else I’ll find myself this year. My large studio compositions take time, planning, refining of the original inspiration. I'll also be sharing that different kind of creative process with you here on "A Painter's Year".